A Prophetic and Violent Masterpiece

Theodore Dalrymple~City Journal
A Clockwork Orange is not completely coherent. If youth is violent because the young are like “malenky machines” who cannot help themselves, what becomes of the free will that Burgess otherwise saw as the precondition of morality? Do people grow into free will from a state of automatism, and, if so, how and when? And if violence is only a passing phase, why should the youth of one age be much more violent than the youth of another? How do we achieve goodness, both on an individual and social level, without resort to the crude behaviorism of the Ludovico Method or any other form of cruelty?
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Cinema Space has a good essay on Clockwork Orange and the Aestheticization of Violence.